By Scott Feinberg
The Hollywood Reporter
“In the past month, what we’ve seen is how it’s started to cross over and how it’s really started to have a social impact,” Tom McCarthy says of Spotlight — the fifth film he wrote and directed, after 2003’s The Station Agent, 2008’s The Visitor, 2011’s Win Winand 2014’s The Cobbler — as we sit down to record an episode of the ‘Awards Chatter’ podcast. Indeed, the drama about the Boston Globe journalists who exposed the Catholic Church’s sex abuse scandal in Boston has been screened for the Pope’s Vatican commission on church misconduct; it has been screened for and hailed by survivors of abuse by priests; and it has been celebrated for its celebration of the threatened industry of investigation journalism, as well. “It really puts thing into perspective,” McCarthy says.