The 15th annual Hollywood Film Festival and Hollywood Film Awards has disclosed its 10 nominees for the 2011 Hollywood Movie Award, a category that celebrates the most popular film of the year as determined by the general public through voting on the Yahoo! Movies website. The winner will be honored at the Hollywood Film Awards gala ceremony, which will take place at the Beverly Hilton on Oct. 24, 2011.
The 15th annual Hollywood Film Festival and Hollywood Film Awards, presented by Starz Entertainment, will honor Golden Globe winner Letty Aronson with its Hollywood Producer Award for Midnight in Paris, Michel Hazanavicius with its Hollywood Breakthrough Director Award for The Artist, Oscar winner Diablo Cody with its Hollywood Screenwriter Award for Young Adult and two-time Oscar nominee Alberto Iglesias with its Hollywood Film Composer Award for both Tinker Tailor Soldier Spy and The Skin I Live In. All four individuals will collect their statuettes at the Hollywood Awards Gala Ceremony, which will take place at the Beverly Hilton on Oct. 24.
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, has written this column — exclusively for ScottFeinberg.com — every week since November in order to help peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
He shared his thoughts in column 1 about his general preferences; column 2 about “Solitary Man” (Anchor Bay Films, 5/21, R, trailer) and “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer); column 3 about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer), and “Toy Story 3” (Disney, 6/18, G, trailer); column 4 about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column 5 about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column 6 about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column 7 about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column 8 about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column 9 about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column 10 about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column 11 about his nomination ballots; column 12 about “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer); column 13 about “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer); column 14 about “The Illusionist” (Sony Pictures Classics, 12/25, PG, trailer), “Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer), “Harry Potter and the Deathly Hallows: Part 1” (Warner Brothers, 11/19, PG-13, trailer), and “How to Train Your Dragon” (DreamWorks Animation, 3/26, PG, trailer); column 15 about “Casino Jack” (ATO Pictures, 12/17, R, trailer), “Hereafter” (Warner Brothers, 10/22, PG-13, trailer), and “Iron Man 2” (Paramount, 5/7, PG-13, trailer); and column 16 about “I Love You Phillip Morris” (Roadside Attractions, 12/3, R, trailer), “Salt” (Sony, 7/23, PG-13, trailer), and “Unstoppable” (20th Century Fox, 11/12, PG-13, trailer).
This week, in his last post of the season, “Deep Vote” shares the votes that he cast on his final ballot, and explains why he cast them…
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
Thus far, he has shared his thoughts in column 1 about his general preferences; column 2 about “Solitary Man” (Anchor Bay Films, 5/21, R, trailer) and “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer); column 3 about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer), and “Toy Story 3” (Disney, 6/18, G, trailer); column 4 about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column 5 about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column 6 about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column 7 about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column 8 about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column 9 about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column 10 about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column 11 about his nomination ballots; column 12 about “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer); column 13 about “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer); column 14 about “The Illusionist” (Sony Pictures Classics, 12/25, PG, trailer), “Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer), “Harry Potter and the Deathly Hallows: Part 1” (Warner Brothers, 11/19, PG-13, trailer), and “How to Train Your Dragon” (DreamWorks Animation, 3/26, PG, trailer); and column 15 about “Casino Jack” (ATO Pictures, 12/17, R, trailer), “Hereafter” (Warner Brothers, 10/22, PG-13, trailer), and “Iron Man 2” (Paramount, 5/7, PG-13, trailer).
This week, he assesses three more films: “I Love You Phillip Morris” (Roadside Attractions, 12/3, R, trailer), “Salt” (Sony, 7/23, PG-13, trailer), and “Unstoppable” (20th Century Fox, 11/12, PG-13, trailer). The first received a Gotham Awards nomination for best breakthrough director; the second is nominated for the best sound mixing Oscar; and the third is nominated for the best sound editing Oscar.
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
Thus far, he has shared his thoughts in column 1 about his general preferences; column 2 about “Solitary Man” (Anchor Bay Films, 5/21, R, trailer) and “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer); column 3 about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer), and “Toy Story 3” (Disney, 6/18, G, trailer); column 4 about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column 5 about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column 6 about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column 7 about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column 8 about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column 9 about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column 10 about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column 11 about his nomination ballots; column 12 about “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer); column 13 about “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer); and column 14 about “The Illusionist” (Sony Pictures Classics, 12/25, PG, trailer), “Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer), “Harry Potter and the Deathly Hallows: Part 1” (Warner Brothers, 11/19, PG-13, trailer), and “How to Train Your Dragon” (DreamWorks Animation, 3/26, PG, trailer).
This week, he assesses three more films: “Casino Jack” (ATO Pictures, 12/17, R, trailer), “Hereafter” (Warner Brothers, 10/22, PG-13, trailer), and “Iron Man 2” (Paramount, 5/7, PG-13, trailer). The first brought Kevin Spacey a Golden Globe nomination for best actor (drama); the latter two are nominated for the best visual effects Oscar.
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
Thus far, he has shared his thoughts in column one about his general preferences; column two about “Solitary Man” (Anchor Bay Films, 5/21, R, trailer) and “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer); column three about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer), and “Toy Story 3” (Disney, 6/18, G, trailer); column four about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column nine about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column ten about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column eleven about his nomination ballots; column twelve about “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer); and column thirteen about “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer).
This week, he assesses four more films: “The Illusionist” (Sony Pictures Classics, 12/25, PG, trailer), “Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer), “Harry Potter and the Deathly Hallows: Part 1” (Warner Brothers, 11/19, PG-13, trailer), and “How to Train Your Dragon” (DreamWorks Animation, 3/26, PG, trailer).
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
Thus far, he has shared his thoughts in column one about his general preferences; column two about “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer) and “Solitary Man” (Anchor Bay Films, 5/21, R, trailer); column three about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Toy Story 3” (Disney, 6/18, G, trailer), and “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer); column four about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column nine about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column ten about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column eleven about his nomination ballots; and column twelve about “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer).
This week, he assesses three more films: “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer).
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)
Thus far, he has shared his thoughts in column one about his general preferences; column two about “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer) and “Solitary Man” (Anchor Bay Films, 5/21, R, trailer); column three about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Toy Story 3” (Disney, 6/18, G, trailer), and “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer); column four about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column nine about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column ten about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); and column eleven about his nomination ballots.
This week, he assesses three more awards hopefuls: “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer).
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.
Thus far, he has shared his thoughts in column one about his general preferences; column two about “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer) and “Solitary Man” (Anchor Bay Films, 5/21, R, trailer); column three about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Toy Story 3” (Disney, 6/18, G, trailer), and “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer); column four about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column nine about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); and column ten about “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer).
This week, he saw three more contenders (about which he will write next week) — “All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer) — and shares with us the films that he has listed on his Oscar nominations ballots (in order of preference, as is required). As a member of the writing branch of the Academy, he is eligible to vote in the best picture, best adapted screenplay, and best original screenplay categories during this phase (but opted not vote for the maximum number of films in any of those categories). Here are his selections, along with a bit of commentary explaining each of them…
“Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards. He will help to peel back the curtain on the Oscar voting process by sharing his thoughts about the films he sees and, ultimately, his nomination and final ballots, as well. His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.
Thus far, he has shared his thoughts in column one about his general preferences; column two about “Winter’s Bone” (Roadside Attractions, 6/11, R, trailer) and “Solitary Man” (Anchor Bay Films, 5/21, R, trailer); column three about “Alice in Wonderland” (Disney, 3/5, PG, trailer), “Toy Story 3” (Disney, 6/18, G, trailer), and “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer); column four about “Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about “Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about “Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about “Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); and column nine about “The Ghost Writer” (Summit, 2/19, PG-13, trailer), “The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer).
This week, he assesses three more awards hopefuls: “Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer)…