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Mordecai Richler | ScottFeinberg.com
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Posts Tagged ‘Mordecai Richler’

Wednesday January 26th, 2011

“DEEP VOTE” ON “BARNEY’S VERSION,” “LOVE AND OTHER DRUGS,” “TANGLED”

Deep Vote,” an Oscar winning screenwriter and a member of the Academy, will write this column — exclusively for ScottFeinberg.com — every week until the Academy Awards in order to help to peel back the curtain on the Oscar voting process. (His identity must be protected in order to spare him from repercussions for disclosing the aforementioned information.)

Thus far, he has shared his thoughts in column one about his general preferences; column two about Winter’s Bone” (Roadside Attractions, 6/11, R, trailer) and Solitary Man” (Anchor Bay Films, 5/21, R, trailer); column three about Alice in Wonderland” (Disney, 3/5, PG, trailer), “Toy Story 3” (Disney, 6/18, G, trailer), and “Mother and Child” (Sony Pictures Classics, 5/7, R, trailer); column four about Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer), “The Kids Are All Right” (Focus Features, 7/9, R, trailer), and “The Social Network” (Columbia, 10/1, PG-13, trailer); column five about “127 Hours” (Fox Searchlight, 11/5, R, trailer), “Biutiful” (Roadside Attractions, 12/17, R, trailer), and “Shutter Island” (Paramount, 2/19, R, trailer); column six about Inception” (Warner Brothers, 7/16, PG-13, trailer), “Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer), and “Somewhere” (Focus Features, 12/22, R, trailer); column seven about Another Year” (Sony Pictures Classics, 12/29, PG-13, trailer), “Fair Game” (Summit, 11/5, PG-13, trailer), and “Rabbit Hole” (Lionsgate, 12/17, PG-13, trailer); column eight about Blue Valentine” (The Weinstein Company, 12/29, R, trailer), “The Fighter” (Paramount, 12/10, R, trailer), and “True Grit” (Paramount, 12/22, PG-13, trailer); column nine about The Ghost Writer” (Summit, 2/19, PG-13, trailer), The King’s Speech” (The Weinstein Company, 11/26, R, trailer), and “The Town” (Warner Brothers, 9/17, R, trailer); column ten about Black Swan” (Fox Searchlight, 12/3, R, trailer), “Conviction” (Fox Searchlight, 10/15, R, trailer), and “I Am Love” (Magnolia, 6/18, R, trailer); column eleven about his nomination ballots; and column twelve about All Good Things” (Magnolia, 12/3, R, trailer), “Animal Kingdom” (Sony Pictures Classics, 8/13, R, trailer), and “The Way Back” (Newmarket, 12/29, PG-13, trailer).

This week, he assesses three more films: “Barney’s Version” (Sony Pictures Classics, 12/3, R, trailer), “Love and Other Drugs” (20th Century Fox, 11/24, R, trailer), and “Tangled” (Disney, 11/24, PG, trailer).

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Tuesday November 30th, 2010

YOUR DAILY FIX OF OSCAR: 11/30/10

  • The Race: Tim Appelo reveals why Sean Penn has abstained from campaigning for the film “Fair Game” — not to mention his own performance in it as former U.S. ambassador Joseph Wilson — this awards season: he and director Doug Liman clashed throughout the production, leading Penn to “boycott” any further involvement with the film.
  • In Contention: Guy Lodge reports that “The Social Network” has topped the 2010 list of critics’ favorites that is releases each year by the British magazine Sight & Sound, making it the first American film to earn that distinction in years. The only other films with awards potential that made the cut were “Another Year” (#3) and “Winter’s Bone” and “I Am Love” (tied for #6).
  • The Odds: Steve Pond wonders if “Black Swan” and “The Fighter” — both of which are non-traditional and somewhat disturbing films — will register as “just too damn weird” for Academy voters.
  • Hollywood-Elsewhere: Jeff Wells posts a photo of “Solitary Man”/“Wall Street: Money Never Sleeps” star Michael Douglas (who is recovering from throat cancer) and his family that was snapped last week at Orlando’s Epcot center. It’s great to see that the beloved actor is looking much better than he did in photos that paparazzi snapped and sold to tabloids several weeks ago!
  • New York Times: Charles McGrath shares the story behind the film “Barney’s Version,” Richard J. Lewis’s adaptation of Mordecai Richler’s beloved book of the same title that was long thought to be “just about unfilmable,” but was ultimately made with Oscar nominee Paul Giamatti in the title role. (It “will play in New York and Los Angeles for one week starting December 3, in the hope, presumably, of snagging an Oscar nomination for Mr. Giamatti, who with the help of several wigs ages four decades in a little over two hours.”)

Photo: Paul Giamatti in “Barney’s Version.” Credit: Sony Pictures Classics.

Friday September 17th, 2010

“BARNEY’S VERSION” NEEDS A 2.0

My strong sense is that as far as the awards season goes, Richard J. Lewis’s “Barney’s Version” (Sony Pictures Classics, TBD, trailer), which had its North American premiere this week at the Toronto International Film Festival, is dead-on-arrival. The film, which I saw on Tuesday, is an adaptation of Canadian author Mordecai Richler’s novel of the same title, which I’ve never read but know is quite well-regarded. Unfortunately, the film is meandering, overlong, and even somewhat offensive.

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