Joey Magidson’s Initial Predictions for the 86th Academy Awards in 2014 ... How Can The Oscars Telecast Be Improved? ... The Best Broadcast Pilot Orders of the 2013-2014 Season: ABC and Fox ... What Really Happened at the Oscars (Analysis) ... The CW’s ‘Carrie Diaries’ Struggling In The Ratings: Why Aren’t Viewers Tuning In? ... Keep Your Eye On … ABC’s ‘Nashville’ ... Which Festivals And Precursor Awards Mattered Most In The Oscars’ Outcome? ... The Best Broadcast Pilot Orders of the 2013-2014 Season: NBC and CBS ...
Countdown to Oscars

Posts Tagged ‘The Departed’

Wednesday January 30th, 2013

Do Films From Adapted Screenplays Fare Better In Best Picture Than Their Original Counterparts?

By Joey Magidson
Film Contributor

***

Most years, one can find almost all of the Best Picture hopefuls contained in both the Best Adapted Screenplay and Best Original Screenplay categories. With 10 slots overall, at least half of the nominees are always present, if not more. The two categories are not looked at equally, though, as the Adapted contenders are consistently considered the better Oscar bet than their Original counterparts.

That’s certainly the perception, but is it actually the Academy Awards reality? Do adapted screenplays really have an easier road to Oscar glory than Original ones? In order to try and answer this question in a way that has modern applications, I’m going to focus on solely the past 25 years. That way, we can keep it relevant and not have too unwieldy of a sample size.

When I went back and took a look at the last quarter-decade, I came up with some results that I think you’ll all find rather interesting. While neither black nor white, the statistics show a shade of grey that fits in with most other supposed “rules” of how Academy members vote.

Read the rest of this entry »

Friday December 21st, 2012

TV Rewind: ‘X Factor’ Shakeups, Lawrence To Host ‘SNL’, ‘Best Funeral Ever’ Delayed

By Rachel Bennett
Television Editor & Columnist

***

TOP STORIES

• Fox’s The X Factor is undergoing more judging shakeups. Although the reality singing competition added Britney Spears and Demi Lovato this season, judge L.A. Reid is departing the series following the finale.

• Dreams do come true! Jennifer Lawrence (Silver Linings Playbook) will host NBC’s Saturday Night Live on Jan. 19.

• In the aftermath of the tragic Newtown, Conn., shooting, TLC wisely delayed the premiere of its one-hour special Best Funeral Ever. Can we rename TLC (The Learning Channel) to NSC (Nothing is Sacred Channel)?

Read the rest of this entry »

Monday December 3rd, 2012

The Confounding Connection Between The Box Office And The Oscars

By Joey Magidson
Film Contributor

***

As much as we all like to take a pure approach to movies and the awards season as a whole, looking at film only as an art form to be rewarded solely on its merit, the Oscars are a business. It’s mostly a matter of things being black and white. But we get shades of grey in the connection that exists (or maybe doesn’t) between the Oscars and the box office.

Long has been the contention that Oscars winners, especially Best Picture winners, need to be big moneymakers to actually take home the gold. Two out of the last three films crowned with the prize, though, have been among the very lowest grossers of all time. The Artist and The Hurt Locker beat out bigger bucks, with the latter especially noteworthy for triumphing over the highest grossing film of all time in Avatar.

While this could become the norm, it used to be a rarity (just look at how many people are still shocked that Annie Hall beat out Star Wars in 1978), and it’s currently cited as an example of how the tastes of the Academy and the mainstream public have never been less in sync. The Academy has even acknowledged its desire to cater to the average moviegoer’s likes through the expansion of Best Picture, albeit to mixed success. Is this necessarily a bad thing, and what does it mean for this year?

Read the rest of this entry »

Monday March 26th, 2012

Martin Sheen on Emilio and Charlie, ‘Badlands’ and ‘Apocalypse Now,’ and Finding ‘The Way’ (Video)

By Scott Feinberg

Recently, I received a once-in-a-lifetime invitation from one of my favorite actors, Martin Sheen. Apparently Sheen, 71, had heard through the grapevine how much I loved The Way, a deeply moving low-budget indie that was written and directed by one of his famous sons, Emilio Estevez, and offered him his first leading role on the big screen in years as a father who has a complicated relationship with his son (played, appropriately enough, by Estevez). I had seen the film three times — at its world premiere at the Toronto International Film Festival in September 2010; then at its U.S. premiere in New York in October 2011 (which was a fundraiser for the Walkabout Foundation and was attended by former President Bill Clinton); and then again on a DVD screener in January 2012. Now, Sheen wanted to know if I would care to visit him at his house in Malibu and spend an afternoon discussing it and other matters.

Click to read more…

Sunday February 12th, 2012

BAFTA Awards Offers Some Clues, Some Decoys About Oscar Race (Analysis)

The British Academy of Film and Television Arts handed out its 65th annual BAFTA Awards this afternoon across the pond, and many of the same folks who will congregate at the Oscars two weeks from today were in attendance. Of course, the question now on all of their minds — and ours — is whether or not the American Academy will annoint the same major winners as the British Academy: The Artist for best picture, Michel Hazanavicius (The Artist) for best director; Jean Dujardin (The Artist) for best actor; Meryl Streep (The Iron Lady) for best actress; Christopher Plummer (Beginners) for best supporting actor; and Octavia Spencer (The Help) for best supporting actress.

Here’s my take…

Click to read more…

Friday February 3rd, 2012

Why Martin Scorsese Ventured Into Family Friendly Fare With Oscar Nominated ‘Hugo’ (Video)

On Monday morning, I had the opportunity to sit down for a chat in Beverly Hills with the man who is arguably the greatest director of all time, Martin Scorsese.

Click to read more…

Friday January 13th, 2012

5 Things the Critics’ Choice Awards Revealed About Oscar Race (Analysis)

The Broadcast Film Critics Association, of which I am proud to be a voting member, held its 17th annual Critics’ Choice Movie Awards last night at the historic Hollywood Palladium. The group found something to like about virtually all of the top Oscar contenders – The Artist (best picture, director, costume design, score), The Help (best ensemble, actress, supporting actress), The Descendants (best actor), Midnight in Paris (best original screenplay), Hugo (best art direction), Moneyball (best adapted screenplay), War Horse (best cinematography — tie), The Tree of Life (best cinematography — tie), The Girl With the Dragon Tattoo (best editing), Bridesmaids (best comedy), Extremely Loud & Incredibly Close (best young actor/actress), Drive (best action movie), Beginners (best supporting actor), Harry Potter and the Deathly Hallows Part 2 (best makeup, sound), Rango (best animated film), Rise of the Planet of the Apes (best visual effects), and A Separation (best foreign language film) — but did it tell us anything that we didn’t already know about how the Oscar race might pan out? I think so.

My five primary takeaways are these …

Click to read more…

Friday January 13th, 2012

Fox Searchlight Highlights Cinematography, Editing of ‘The Descendants’ (Exclusive Video)

Over the past 15 years, Fox Searchlight has proven to be as savvy as any studio at navigating the often-murky waters of the awards season. Therefore, I am quite confident that its awards team knows exactly how few films have won the best picture Oscar without first scoring nominations for best cinematography (just 30 in the 84 years in which the category has been presented, and none since The Departed five years ago) and/or best film editing (just 9 in the 77 years in which the category has been presented, and none since Ordinary People 31 years ago), and that it is precisely for that reason that it is fighting very hard to win the support of the Academy’s cinematography branch (201 members) and film editing branch (220 members) for The Descendants, their 2011 best picture Oscar hopeful. Their most recent move? Piecing together a special featurette entitled “Shooting and Editing The Descendants,’ which we are exclusively premiering here today.

Click to read more…

Thursday January 12th, 2012

Fox Searchlight Highlights Cinematography, Editing of ‘The Descendants’ (Exclusive Video)

Over the past 15 years, Fox Searchlight has proven to be as savvy as any studio at navigating the often-murky waters of the awards season. Therefore, I am quite confident that its awards team knows exactly how few films have won the best picture Oscar without first scoring nominations for best cinematography (just 30 in the 84 years in which the category has been presented, and none since The Departed five years ago) and/or best film editing (just 9 in the 77 years in which the category has been presented, and none since Ordinary People 31 years ago), and that it is precisely for that reason that it is fighting very hard to win the support of the Academy’s cinematography branch (201 members) and film editing branch (220 members) for The Descendants, their 2011 best picture Oscar hopeful. Their most recent move? Piecing together a special featurette entitled “Piecing and Editing The Descendants,’ which we are exclusively premiering here today.

Click to read more…

Saturday January 7th, 2012

FEINBERG & FRIENDS, Ep. 11: Scott and Annette Insdorf, Columbia’s Director of Undergraduate Film Studies, on the Race (Audio)

I’m very pleased to bring you the eleventh episode of “Feinberg & Friends,” THR’s weekly podcast about the awards race.

Click to read more…